Issue 15 of the MD Journal presents an investigation falling within the field of typographical studies.
Typography represents one of the founding and fundamental aspects of graphic design, lending itself to reflections pertaining as much to events of the past as to the contemporary national and international design scenario, thus becoming a possible key to understanding the cultural changes of the new millennium.
Over time, the term “typography” has taken on a broad spectrum of meanings, changing and adapting on various occasions, primarily to man’s basic need to communicate and, contextually, to the various design and social frameworks in which the concept has developed, as well as to the technical instruments employed for its reproducibility and the transmission of memory.